Arts & Humanities

Film builds science into beaver tales

Megan M Rogers — Thu, 12 Mar 2026 14:18:34 +0000

Film builds science into beaver tales Megan M Rogers Thu, 03/12/2026 - 08:18

Colorado Arts and Sciences Magazine

CU ��ý�� alum Emily Fairfax shared her scientific expertise as the beaver consultant on the new Pixar film "Hopper."

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5 years after Atlanta spa shootings: Asian Americans still confront questions of belonging

Yvaine Ye — Mon, 02 Mar 2026 21:25:39 +0000

5 years after Atlanta spa shootings: Asian Americans still confront questions of belonging Yvaine Ye Mon, 03/02/2026 - 14:25

Yvaine Ye

On March 16, 2021, a gunman killed eight people, including six Asian American women, in shootings at two spas and a massage business in Atlanta, Georgia. This tragedy became a national turning point, sparking Stop Asian Hate protests across the country and bringing long-overdue attention to the surge in anti-Asian violence that began during the COVID-19 pandemic.

Angie Chuang

This March marks the fifth anniversary of the shootings. Since then, violence against Asian Americans has continued across the country, but their stories have disappeared from mainstream media in the United States, said Angie Chuang, associate professor of journalism in the College of Communication, Media, Design and Information.

According to a report by the University of California, Los Angeles, the number of Asian Americans arrested by Immigration and Customs Enforcement (ICE) has tripled since President Donald Trump took office. In recent ICE operations in Minnesota, Hmong immigrants and refugees from Southeast Asia have been among the communities most affected.

“Anti-Asian hate crimes haven’t disappeared,” Chuang said. “But we are in this position where so many in Asian American communities decided to remain silent because they are struggling to survive.”

A veteran journalist, Chuang has spent years studying how the U.S. media portrays Americans of Asian descent. Her recently published book, “American Otherness in Journalism: News Media Representations of Identity and Belonging,” explores the news media’s struggles reporting on race and immigrant identity.

Ahead of the anniversary, CU ��ý�� Today sat down with Chuang to discuss what has changed since the 2021 shootings, who is considered American, and how the media covered Asian American Winter Olympians.

Five years after the Atlanta spa shootings, how has the conversation around race and Asian American identity changed in the United States?

When we look back to March 2021, it really feels like a different moment in American culture. There was much broader awareness about race and systemic racism following anti-Asian hate crimes that surged during the pandemic and after the murders of George Floyd and Breonna Taylor.

CMDI Public Conversations: Who Gets to Be American, and Why?

At a time when historic ideas of the United States as a multicultural “nation of immigrants” have been replaced by “America First” and ICE raids, how does mainstream news media help construct Americanness?Join Angie Chuang for a presentation and Q&A about her new book.

Who: Open to the public
When: Tuesday, Mar 3, 5-6:30 pm
Where: Canyon Theater, Main Library, ��ý�� Public Library

There was also a moment of solidarity among communities of color. Asian Americans were supporting Black Lives Matter, and other communities stood up against anti-Asian hate.

At this point, we are confronted with the cancellation of diversity, equity and inclusion (DEI) programs, the end of affirmative action, and not feeling OK talking about race and racial equity. Many of the issues that were raised by the shootings have been muted. That's generally not a good change.

Why do we hear less about Asian Americans affected by immigration enforcement compared with other groups?

The model minority stereotype has contributed to a long history of Asian American invisibility. The stereotype creates a perception that Asian Americans are good citizens, financially better off and don't make a lot of trouble. As a result, Asian Americans are often not the focus of many stories, including those about ICE raids.

In your research, you talk about “conditional Americanness.” What does that mean, and how did it appear in coverage of the Atlanta shootings?

Asian Americans are considered American, but with an asterisk. Like Indigenous Americans, Latino/a Americans and Black Americans, their belonging can feel conditional, accepted until push comes to shove and that identity is questioned, or revoked.

"American Otherness in Journalism: News Media Representations of Identity and Belonging." (Courtesy of Angie Chuang)

After the 2021 Atlanta shootings, the white perpetrator told the police that he had a sex addiction and that he was trying to “eliminate temptation.” Despite no evidence that the victims were involved in illicit sex work, the media picked up on that narrative and portrayed the victims as foreign, because that's not something that we like to associate our definition of Americanness with.

The narrative became that because they were foreign, and allegedly sex workers, we didn't have to mourn them. These women were community members, mothers and wives with hopes and dreams. The mainstream media didn't carry these stories.

How do moments like the Olympics reveal conditional Americanness?

American figure skater Alysa Liu, who won a gold medal, was widely celebrated in the mainstream news media. But Eileen Gu, who also won gold and is the most decorated female freeskier, was widely scrutinized because she chose to compete for China, despite growing up in the United States.

Many athletes, including multiple National Hockey League players, competed for countries other than the United States, even though they live here and are paid millions of dollars by the United States. Nobody is upset that a professional hockey player has chosen to play for their home country. But the amount of hatred and skepticism Gu faces speaks to this conditional Americanness. Asian Americans are constantly being asked to prove their loyalty to the United States to be considered American.

Given today’s political climate and shifting conversations about race, what gives you hope?

We will enter the coming years bearing the scars of what's happened in the last couple of years, from ICE raids and the cancellation of DEI programs to the silencing of conversations about race.

But I find hope in our students here at CU ��ý��. Even though many of them don’t come from the same background, young people genuinely want to live in an accepting, pluralistic society where people learn from one another’s cultures and experiences.

I’m also hopeful because no matter what policies try to define Americanness narrowly, our society is becoming more multicultural. People are forming diverse friendships, families and communities, and you can’t stop that.

CU ��ý�� Today regularly publishes Q&As on news topics through the lens of scholarly expertise and research/creative work. The responses here reflect the knowledge and interpretations of the expert and should not be considered the university position on the issue. All publication content is subject to edits for clarity, brevity and university style guidelines.

CU ��ý�� Journalism professor shares how mainstream news media shape ideas of Americanness and belonging.

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Stop Asian Hate protest in Washington D.C., March 27, 2021. (Credit: Elvert Barnes/Wikicommons)

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Stop Asian Hate protest in Washington D.C., March 27, 2021. (Credit: Elvert Barnes/Wikicommons)

Art historian walks into the Middle Ages

Megan M Rogers — Fri, 27 Feb 2026 21:00:55 +0000

Art historian walks into the Middle Ages Megan M Rogers Fri, 02/27/2026 - 14:00

Colorado Arts and Sciences Magazine

CU ��ý�� Professor Kirk Ambrose set out to better understand art, doubt and medieval pilgrimages, but his 800-mile walk has modern implications.

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The real Regency: What history says about 'Bridgerton'

Megan M Rogers — Wed, 25 Feb 2026 19:56:04 +0000

The real Regency: What history says about 'Bridgerton' Megan M Rogers Wed, 02/25/2026 - 12:56

Colorado Arts and Sciences Magazine

CU ��ý�� scholar Nicole Mansfield Wright says "Bridgerton" demonstrates how fantasy can illuminate real history.

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What's that knocking in the trees?

Megan M Rogers — Thu, 12 Feb 2026 14:51:06 +0000

What's that knocking in the trees? Megan M Rogers Thu, 02/12/2026 - 07:51

Colorado Arts and Sciences Magazine

In a new book, CU ��ý�� folklorist Jack Daly bridges the gap between academic research and Colorado legend.

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What is 'romantasy,' and why can't readers get enough?

Daniel William Strain — Wed, 11 Feb 2026 18:31:30 +0000

What is 'romantasy,' and why can't readers get enough? Daniel William… Wed, 02/11/2026 - 11:31

Daniel Strain , Nicholas Goda

Editor's note: This article, originally published Feb. 10, 2025, was updated Feb. 11, 2026.

This Valentine’s Day, love is in the air—and so are magic, flaming arrows, fairies, dragons and more.

Christine Larson. (Credit: Jimena Peck)

Last year, "Onyx Storm," the third book in Rebecca Yarros’ Empyrean series, took the publishing industry by, well, storm. The book follows a dragon rider named Violet and her family, friends, lovers and exes at Basgiath War College. It sold 2.7 million copies in its first week on bookshelves, a 20-year record for literature marketed toward adults.

“Onyx Storm” is one of the biggest success stories for the fast-rising genre of fiction dubbed “romantasy.” These books blend the conventions of fantasy novels with those of romance. Think sorcerers, mythical creatures and raging battles mixed with heaping doses of sex. Other heavy hitters in the genre include Sarah J. Maas. Her “A Court of Thorns and Roses” (or ACOTAR, to fans) novels dive into the adventures of Feyre Archeron in the faerie lands of Prythian.

Christine Larson, assistant professor of journalism at CU ��ý��, follows trends in the romance industry closely. Her 2024 book “Love in the Time of Self-Publishing” traces the 40-year history of Romancelandia, a tight-knit community of romance writers.

Larson weighs in what makes romantasy books so appealing, how TikTok played a role in their popularity, and why you may want to reevaluate those steamy sex scenes.

Is the rise of romantasy a new phenomenon?

Everyone talks about romantasy as if it's new. But the fantasy or paranormal sub-genres in romance have been around for decades. We can look at “Twilight.” We can look as far back as the “Dragonriders of Pern” series by Anne McCaffrey in the 1960s. Those books combined adventure and strong women who find their equal and their happily ever after.

Why do you think they’ve become so popular?

Romantasy has really taken off for two reasons: One reason is that Sarah Maas and Rebecca Yarros are amazingly good writers who tell a great story. The second is because people are feeling unsettled right now. Women, especially, are often feeling powerless, and the heroines in these books have power. They gain power, and they find love interests who are their equals. That’s important to women right now—to imagine a different world.

How did social media play a role in the emergence of romantasy?

Romantasy has been promoted in a huge way by TikTok, or, specifically, by the sub-segment of TikTok known as BookTok. Romance has been the most popular genre of fiction since the 1980s. With the rise of BookTok, younger readers dispelled myths about older romances. A lot of people thought romance was Fabio and a scantily clad woman bursting out of her bodice, and that it was very old fashioned. But, in fact, romance has come a long way. It has all these different sub-genres now.

Where did all these types of romance come from?

The evolution of new sub-genres in romance rose because of self-publishing beginning around the launch of the Amazon Kindle in 2007. There were many stories that could never be told, could never get published in traditional romance publishing, including stories about Black protagonists, Latina protagonists, LGBTQ+ protagonists, and even these fantasy stories.

Romance writers are super smart, and they said, "I don't need a publisher. I can self-publish." These books took off, and, eventually, romance publishers had to change, as well.

Romance has come a long way, but a lot of readers still turn up their noses at these books. Are romantasy books subject to those same biases?

Romance is the most disparaged, dismissed, mocked genre in the history of literature, but women's literature has always been denigrated by the literary community. It’s not only romance. Fantasy has also been a sort of stepchild of the science fiction world that was associated with women writers. It’s also thought less of in the literary world.

One of the central, and perhaps most controversial, aspects of these books are their sex scenes, which get, um, a little explicit. What roles do these scenes play in the books?

Anyone who is shocked by the sex scenes in romantasy has not read romance. Romance comes in, shall we say, a variety of spiciness levels—from zero (like Amish romance, which is very sweet) all the way up to four chili peppers (like “50 Shades of Gray”).

The portrayal of sex in romantasy, and all romance, celebrates women's pleasure. That's why it's controversial. Many societies throughout history have feared or suppressed women's sexual pleasure, and romance is a space where that doesn't happen.

Say fantasy isn’t my genre. What other sub-genres of romance should I try?

If you have a favorite genre, there is a romance sub-genre for you. If you like spy fiction, there's romantic suspense. If you like sci-fi, there's sci-fi romance. There's sci-fi paranormal romance. Romance writers are women of words. They write because they love to read, and they're fantastic at world building in any genre.

CU ��ý�� Today regularly publishes Q&As with our faculty members weighing in on news topics through the lens of their scholarly expertise and research/creative work. The responses here reflect the knowledge and interpretations of the expert and should not be considered the university position on the issue. All publication content is subject to edits for clarity, brevity and university style guidelines.

Explore A&S

Discover inquiry, insights and research from across the College of Arts and Sciences.

Arts & Sciences Magazine

Fairies and dragons and love! Oh my! An expert on romance fiction digs into one of the publishing industry's hottest trends.

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'Heated Rivalry' is melting the ice—and tropes around sexuality and sports

Megan M Rogers — Fri, 06 Feb 2026 19:22:40 +0000

'Heated Rivalry' is melting the ice—and tropes around sexuality and sports Megan M Rogers Fri, 02/06/2026 - 12:22

College of Communication, Media, Design and Information

A CMDI expert says the hit HBO show has captivated audiences by challenging traditional tropes often seen in mass media.

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Film addresses the dark side of aging

Megan M Rogers — Fri, 30 Jan 2026 17:44:25 +0000

Film addresses the dark side of aging Megan M Rogers Fri, 01/30/2026 - 10:44

Colorado Arts and Sciences Magazine

CU ��ý�� sociologist Laura Patterson makes her screenwriting debut with a short horror film, "Silent Generation."

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Faculty share 7 must-watch films from Sundance Film Festival's 40-year history

Daniel William Strain — Fri, 23 Jan 2026 15:37:51 +0000

Faculty share 7 must-watch films from Sundance Film Festival's 40-year history Daniel William… Fri, 01/23/2026 - 08:37

Daniel Strain

Jump to:

This week, auteurs, celebrities, cinema buffs and more are putting on their winter coats and boots to head to Park City, Utah, for the 2026 Sundance Film Festival. The event, which runs from Jan. 22 to Feb. 1, will be the renowned festival’s last appearance in Utah before it heads to ��ý��, Colorado, in 2027.

To celebrate this milestone year, faculty members in the Department of Cinema Studies & Moving Image Arts at CU ��ý�� shared their favorite films that have screened at the Sundance Film Festival over its more than 40-year history.

Their picks show the power and breadth of the festival—from an offbeat comedy to documentaries, a thriller and a “sensory tone poem.” They’re also necessary viewing for understanding the history of the Sundance Film Festival, which has shaped filmmaking in the United States and abroad for generations.

So grab your popcorn and check out these films.

Daughters of the Dust (1991)

Skinner Myers

Skinner Myers, assistant professor, is an award-winning writer and director whose debut feature film, “The Sleeping Negro,” premiered at the 2021 Slamdance Film Festival. His follow-up film, “Before You Fade Away Into Nothing,” premiered at the 2025 Berlinale Critics’ Week.

Directed by Julie Dash, "Daughters of the Dust" is a visually stunning, non-linear portrait of a Gullah family on St. Helena Island off the coast of South Carolina in 1902. As the Peazant clan prepares to migrate to the northern mainland, the film captures their final day together, documenting a unique culture rooted in West African traditions that flourished in isolation.

The film's power lies in its exploration of cultural preservation vs. progress. The matriarch, Nana Peazant, fights to maintain the spiritual scraps of memory that define her family’s heritage, while younger generations look toward the mainland for a new identity.

Ancestral memory, the tension of the Great Migration, and a rare celebration of Black femininity are themes present throughout the film.

Dash presents Black women as the guardians of history and family unity, the ones who carry the culture forward. More than a traditional narrative, the film is a sensory tone poem. It redefined what Black cinema could look like, proving it did not have to follow Hollywood's rules.

Where to watch: Available to rent on Amazon Prime

Hoop Dreams (1994)

Andy Uhrich

Andy Uhrich, assistant professor, is a media historian, archivist and curator. He has worked on the mass digitization of a large 16mm film collection and has helped restore films by Sidney Peterson, Gordon Parks, Sr., Marjorie Keller and others.

Steve James’ documentary about two Chicago high school athletes striving to join the NBA is regularly included in lists of the best sports movies. It’s definitely the best sports film for folks who don’t like sports.

The film follows Arthur Agee and William Gates during their four years of high school. Both are talented basketballers with a lot of promise. But that promise becomes a burden as they deal with injuries, parental divorce and economic challenges.

The film works because it’s a great sports movie. We want them to achieve greatness on the court just as if we were watching “Rocky.” It’s also a great documentary about growing up as young Black men in Chicago. Thanks to the bond that formed between the filmmakers and the two men and their families, we get to see aspects of their lives beyond just the athletes’ on-court identity.

Its success at the 1994 Sundance Film Festival, and praise from critics including Roger Ebert, took “Hoop Dreams” beyond the traditional documentary circuit into the multiplex. “Hoop Dreams” proved that popular documentaries can be just as entertaining as Hollywood cinema, while providing an unflinching honesty often lacking in fiction films.

Where to watch: Available to stream on HBO Max and Pluto TV

Memento (2000)

Jason Phelps

Jason Phelps, instruction support manager, is the director of the International Film Series program. Based at CU ��ý��, the program showcases films from around the world for students and community members.

Christopher Nolan’s sophomore film, “Memento,” demonstrates the Sundance Film Festival’s unique ability to spot powerful filmmakers in the indie scene—at a point in their careers when taking big swings is the only way to stand out. Here, Nolan made the brazen choice to order the film’s scenes in reverse order as a way for the audience to get inside the mind of a character who suffers from short-term memory loss.

During his search for his wife’s murderer, Leonard doesn’t know what just happened or why he is where is he is, and the reverse scene order makes it so that the audience doesn’t either. And despite the film beginning with the ending, there’s still room for Nolan to throw in twists, turns and shocking revelations throughout.

The film is further proof that the rules and guidelines for filmmaking are sometimes best used as signposts for directors to acknowledge, but then immediately ignore, to create something worth talking about. “Memento,” in my mind, has since become a film that should be required viewing for anyone interested in filmmaking, as well as a further testament of the power of independent films and the importance of festivals like the Sundance Film Festival that support them.

Where to watch: Available to stream on Amazon Prime, Peacock and Pluto TV

Me and You and Everyone We Know (2005)

Erin Espelie

Erin Espelie, associate professor and department chair, is a writer, editor and filmmaker whose work connects with scientific research, environmental precarity and more. Her poetic, nonfiction films have shown at the New York Film Festival, the British Film Institute's London Film Festival and beyond.

SALESWOMAN: “I think everything’s going to be computerized in 20 years.”
SYLVIE: “Soup won’t be computerized.”
SALESWOMAN: “Why not?”
SYLVIE: “It’s a liquid.”

So plays an exchange in Miranda July’s feature debut “Me and You and Everyone We Know,” which premiered at the Sundance Film Festival after having been workshopped in the festival’s 2003 Screenwriters Lab. Miranda July, who expresses unabashedly offbeat humor and raunchy honesty in her characters, went on to win a Special Jury Prize at the Sundance Film Festival and the Camera d’Or at Cannes for the film, for which she wrote the screenplay, directed and served as a main actor.

Her second feature film, “The Future” (2011), also premiered at the Sundance Film Festival. Since then, Miranda July has continued to make films, write and create art across a wide spectrum of forms, most recently writing the novel “All Fours” (2024), shortlisted for the National Book Award.

Miranda July moves through the world at a distinct cadence, and her career represents all the best of what the Sundance Film Festival champions: fostering the development of moving-image artists who are at the margins of industrial cinema and who show transformative potential. The Sundance Film Festival can bring these cinematic artists to wider audiences, offering full creative independence and posing as counterweights to overly commercial films.

Where to watch: Available to stream on AMC+ or Sundance Now

Sleep Dealer (2008) and The Infiltrators (2019)

Kelly Sears

Kelly Sears, associate professor, is an award-winning filmmaker and experimental animator who reimagines the social and political legacy of the United States. She’s screened five films at the Sundance Film Festival, including the animated short film “The Lost Season” in 2024.

My favorite science fiction films are the ones that hold a mirror to contemporary politics, and Alex Rivera’s “Sleep Dealer” does this with remarkable prescience.

Set in a dystopian future where migrant labor is essential but migrant bodies are unwelcome, the film imagines cyber maquiladoras where workers plug into a digital network to perform jobs virtually across the border. Nearly two decades later, Rivera’s critique of exploitative globalization feels even more resonant.

After people watch “Sleep Dealer,” I always recommend they see Rivera’s follow up film. Rivera, along with Cristina Ibarra, returned to the Sundance Film Festival in 2019 with their hybrid documentary “The Infiltrators.”

Blending documentary footage with reenactments, the film follows a group of young, undocumented activists who deliberately put themselves in the path of ICE to enter detention centers and work undercover to halt deportations. This formally inventive film was awarded both the NEXT Innovator Prize and the NEXT Audience Award at the 2019 Sundance Film Festival.

Where to watch: “Sleep Dealer” is available to rent on Apple TV; “The Infiltrators” is not currently available for streaming

Minari (2020)

Kalpana Subramanian

Kalpana Subramanian, assistant professor, is an experimental moving-image artist interested in transcultural and embodied approaches to film and media. Her work investigates the world through an interdisciplinary poetics of breath, as expressed through her art, curation and writings.

“Minari,” directed by Lee Isaac Chung, tells a poignant, semi-autobiographical tale of a Korean American family moving from urban California to rural Arkansas in the 1980s, hoping to build a more stable life through farming. They leave behind tedious labor in the chicken-sexing industry, driven by the patriarch Jacob’s dream of growing Korean produce for local vendors. His wife, Monica, feels burdened by the move away from city life and worries for their young son David, who is battling a cardiac condition. The arrival of Monica’s intrepid mother, Soon-ja, from South Korea both eases and intensifies household tensions, revealing the complex dynamics of a family under pressure to succeed in a new environment.

The film draws viewers into an intimate family portrait tracing overlapping journeys of characters and the invisible threads that hold them together. The titular minari references the hardy water-dropwort plant commonly used in Korean cuisine. Planted by Soon-ja in a quiet corner of their land, it emerges as a metaphor for resilience amid adversity.

"Minari" challenges the stereotype of the “American Dream” through its insightful account of the emotional and relational costs of migration. Rejecting a conventional rags-to-riches narrative, it offers hope through a more realistic portrayal of migrant life, grounded in survival, endurance and being human.

Where to watch: Available to rent on Amazon Prime and Apple TV

The picks capture the breadth of the renowned festival, from an offbeat comedy to documentaries, a "sensory tone poem" and more.

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Why a boy and his tiger still matter

Megan M Rogers — Mon, 22 Dec 2025 18:54:11 +0000

Why a boy and his tiger still matter Megan M Rogers Mon, 12/22/2025 - 11:54

Colorado Arts and Sciences Magazine

Calvin and Hobbes, Bill Watterson's beloved comic strip, ended three decades ago this month, yet its magic endures, says William Kuskin, CU ��ý�� English professor and expert on comics and graphic novels.

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Arts & Humanities

Film builds science into beaver tales

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5 years after Atlanta spa shootings: Asian Americans still confront questions of belonging

Five years after the Atlanta spa shootings, how has the conversation around race and Asian American identity changed in the United States?

Why do we hear less about Asian Americans affected by immigration enforcement compared with other groups?

In your research, you talk about “conditional Americanness.” What does that mean, and how did it appear in coverage of the Atlanta shootings?

How do moments like the Olympics reveal conditional Americanness?

Given today’s political climate and shifting conversations about race, what gives you hope?

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Is the rise of romantasy a new phenomenon?

Why do you think they’ve become so popular?

How did social media play a role in the emergence of romantasy?

Where did all these types of romance come from?

Romance has come a long way, but a lot of readers still turn up their noses at these books. Are romantasy books subject to those same biases?

One of the central, and perhaps most controversial, aspects of these books are their sex scenes, which get, um, a little explicit. What roles do these scenes play in the books?

Say fantasy isn’t my genre. What other sub-genres of romance should I try?

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Faculty share 7 must-watch films from Sundance Film Festival's 40-year history

Daughters of the Dust (1991)

Hoop Dreams (1994)

Memento (2000)

Me and You and Everyone We Know (2005)

Sleep Dealer (2008) and The Infiltrators (2019)

Minari (2020)

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Why a boy and his tiger still matter

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