Communication

CMDI brings the conversation on immigration to center stage

Joe Arney — Thu, 16 Oct 2025 20:33:18 +0000

CMDI brings the conversation on immigration to center stage Joe Arney Thu, 10/16/2025 - 14:33

Joe Arney

Courtesy Motus Theater

For the first two years of its existence, the CMDI Distinguished Speaker Series has invited nationally recognized guests to provide insights on relevant topics like how technology encodes inequality into its products and services, and how to remedy a deeply polarized society.

While the focus on impact and important topics is the same, this year, the college invited local voices to share the stage and lead a conversation on immigration.

��ý��-based Motus Theater, which creates original works to facilitate dialogue on important contemporary issues, will stage a performance that will be followed by a panel discussion featuring journalists from The Colorado Sun, 9News and Colorado Public Radio.

If you go

What: Reapproaching Media and Migration

When: 6 p.m., Wednesday, Oct. 22, CASE Chancellor’s Hall, fourth floor.

Who: Motus Theater, which brings silenced histories and marginalized voices to the stage, will give a performance of UndocuAmerica, followed by a panel conversation featuring local journalists.

Why: The CMDI Distinguished Speaker Series showcases some of the most pressing challenges of our time and invites future journalists, communicators, designers and technologists to consider their responsibilities as citizens and storytellers.

The event is open to all members of the CU ��ý�� community and the public.

Learn more

“What this series demonstrates is that CMDI is at the center of important conversations in our society,” said Nabil Echchaibi, associate dean of scholarly and creative work at CMDI and a professor of media studies. “We’re not just isolated in our own world. What we teach, what we do research on, what we explore creatively, it all has direct relevance to the world.”

Echchaibi encountered Motus as an advisor to one of the company’s performances, and invited the group to participate in a seminar class he taught a few years ago to help the students sharpen their media literacy skills.

“One of the things Motus excels at is reframing the conversation about these communities, around undocumented immigration,” Echchaibi, noting the company has been doing such productions since 2011.

UndocuAmerica, the project Motus will perform at CMDI, was created to counter the dehumanizing portrayal of immigrants through thoughtful engagement on the challenges facing the undocumented community, as well as the assets new arrivals bring to the United States. Motus works with leaders from the undocumented community to help them write powerful stories about their lives and experiences, then showcases them in moving monologues.

Echchaibi said he hopes the audience of communicators, storytellers and designers leaves with a better understanding of “our obligation as citizens, neighbors, journalists and educators to immigrant justice and honoring life for everyone.”

“I see CMDI as a convener of these conversations at a time when fewer people are having them,” he said. “We want to give a sense of perspective, some clarity about what we are all dealing with on a daily basis. Those conversations don’t only happen in the classroom—we are trying to foster a culture of meaningful and constructive discussion about issues of great public concern.”

Joe Arney covers research and general news for the college.

A performance by Motus Theater headlines this year’s Distinguished Speaker Series.

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Slow your scroll: Experts talk news, TikTok and critical thinking in Poynter panel

Joe Arney — Thu, 02 Oct 2025 17:07:41 +0000

Slow your scroll: Experts talk news, TikTok and critical thinking in Poynter panel Joe Arney Thu, 10/02/2025 - 11:07

Joe Arney

Phaedra C. Pezzullo, left, welcomes the audience as she prepares to moderate a panel discussion on journalism at the ��ý�� Public Library. The other panelists are, from left, Mark Trahant, Amanda Williams and Jade Liu. Photos by Jack Moody.

Much ink has been spilled, airtime spent and pixels devoted to questions around news engagement and the youngest generation.

So, rather than speculate, a panel session earlier this week invited a high school journalist to join seasoned reporters, editors and ��ý�� faculty to explore intergenerational storytelling and the future of the news media.

It started from the first question that moderator Phaedra C. Pezzullo, a professor of communication and director of the Sustainability and Storytelling Lab at the College of Communication, Media, Design and Information, pitched to Jade Liu.

Pezzullo asked Liu, a senior at ��ý��’s Fairview High School, how technology shapes her approach to journalism, especially when telling stories for different generations.

“And you’re going to tell us that Twitter is old news now,” Pezzullo said; Liu drew a lot of laughs when she playfully fired back that “It’s X now, you know.”

“I’m honestly not the most online person, so I don’t know how well I can speak to this,” Liu said. “But years ago, I don’t think anyone was reading the newspaper for eight hours a day—yet today, there are people watching TikTok or scrolling Instagram for that long. When you’re taking in that much information at that rapid of a pace, there’s no stopping to think critically about what you’re seeing.

“I think that the main threat facing journalism today isn’t that it’s going to be replaced, but getting people to really care about it at a time when we’re facing so much information constantly coming at us.”

The panel discussion, which took place Tuesday at the ��ý�� Public Library, was presented in conjunction with Poynter’s 50th anniversary exhibition, Moments of Truth: An Exploration of Journalism’s Past, Present and Future. This traveling showcase traces journalism’s history, from movable type to A.I.-generated content, and illustrates how the industry has adapted in the face of technical innovation.

“Long before journalism as we know it today took shape, the need to tell our stories and share the truth of the world has been central to the human experience,” said Jessi Hollis McCarthy, a program specialist at MediaWise, the media literacy arm of Poynter. “Across time, we’ve created the tools and techniques we need to communicate the information that shapes our lives. Journalism is a vital part of that tradition.”

CMDI has been honored to be a stop on Poynter’s national tour. The college’s founding dean, Lori Bergen, has been a member of Poynter’s national advisory board and currently serves as a trustee.

“It’s a tremendous privilege to get to bring Poynter’s perspective about news literacy to the university and ��ý�� communities, especially in a time of hyper-partisanship and ceaseless technical innovation,” Bergen said. “Poynter is personally important to me, and also critical to the work that I do as a journalism educator and a citizen.”

Focus on environmental reporting

In addition to a general discussion of intergenerational storytelling and technology, the panelists spoke specifically about environmental journalism.

Mark Trahant, who has held multiple leadership roles in news, including at SeattlePI and ICT, said the industry is struggling to cover complex, slow-moving environmental crises. He shared stories he’s written about communities on the Taholah River, in Washington, which have been besieged by storm surges and flooding.

One village, Trahant said, has moved itself to higher ground. “But when I went up there with a photographer, we went through 35 villages facing the same lowland situation. Yet none of those communities are going through the same process.

“We have to get people to understand what the big picture is, and then act on it,” he said. “But journalism is not very good on the second part. We can talk about the issues and some of the complexities, but it boils down to policymakers and citizens who have to take the next step and decide what they want to do about it.”

Amanda Williams, a special projects editor for NPR’s 1A, is spending the year at CU ��ý�� as a Ted Scripps Fellow in Environmental Journalism. She said the news is responsible for giving people resources to take that action without journalists becoming activists.

“At the end of a conversation, we try to end with things you could do or think about, or a place you could go to learn more about what we’re talking about,” Williams said. “It’s important to leave people with a direction to go after your story, your conversation or your podcast, so they don’t feel you were just dumping all these problems on a page and then walking away.”

A lengthy question-and-answer session with the audience followed the discussion. Topics ranged from technology, news disengagement, and the political and legal climate journalists are confronting.

A lighter question came from an audience member who asked whether games like Wordle, Connections and “Wait Wait…Don’t Tell Me!” encourage younger audiences to pay attention to the headlines, in addition to the diversions. Williams credited The New York Times with its boldness in moving into directions like cooking, puzzles and podcasting faster than other outlets.

“I know a lot of people who have New York Times subscriptions because they love the games so much—and making the mini crossword not free anymore probably led to more subscriptions, too,” Liu said. “But I do think the challenge is bridging that gap, and going from playing New York Times games to reading New York Times stories.”

Joe Arney covers research and general news for the college.

CMDI and the Poynter Institute gathered a group of experts to discuss intergenerational storytelling, with a special focus on environmental reporting.

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It takes a village

Joe Arney — Thu, 04 Sep 2025 00:04:33 +0000

It takes a village Joe Arney Wed, 09/03/2025 - 18:04

Joe Arney

Photos by Kimberly Coffin (CritMedia, StratComm’18)

Phaedra C. Pezzullo has worked with media scholars, journalists, documentary makers, advertisers, architectural experts and more as she seeks the broadest possible approach to the challenge of sustainability.

That emphasis on connections among people, especially in different disciplines, is why the College of Communication, Media, Design and Information named her the first Kleiman Faculty Scholar in Communication this summer.

“What I love about being part of a college like this are the opportunities to publish, edit, co-author or just talk to people in so many different disciplines. So, when we have a challenge like sustainability, we approach engaging people from a more holistic perspective—from face to face to social media,” said Pezzullo, a professor of communication at CMDI who was trained in environmental rhetoric. “And when we work together, we’re smarter. We all bring different experiences from the institutions and companies and communities we’ve worked with.”

It isn’t just her affinity for connections that led to Pezzullo earning this honor. Earlier this year, she launched the Sustainability and Storytelling Lab, which studies the role communication plays in advancing environmental, economic and social justice goals. She is an influential author whose most recent book, Beyond Straw Men: Plastic Pollution and Networked Cultures of Care, won multiple awards from the National Communication Association; her 2007 book, Toxic Tourism: Rhetorics of Travel, Pollution and Environmental Justice, inspired a punk rock song about the cause. She also maintains the Communicating Care podcast, featuring insights from experts working across disciplines to address issues of sustainability and environmental fairness.

Be involved

Interested in establishing a faculty scholarship at CMDI? Contact Mary Beth Searles, assistant dean for advancement, at marybeth.searles@colorado.edu.

“It gives me such pride to announce Phaedra as the college’s Kleiman scholar,” said Lori Bergen, founding dean of CMDI. “When we envisioned what this college might look like during its founding, 10 years ago, we imagined breaking down disciplinary silos and empowering the kind of cross-disciplinary work that would allow us to take on the most complex problems of our time. By inviting students and faculty from across the college and university to work with her, Phaedra has brought new and invaluable perspectives to sustainability.”

The Kleiman Faculty Scholar is supported by an endowment from alumnus David C. Kleiman (PhDComm’73), who said he considers his support to be a way of paying forward the influence others had on his career.

Stepping up ‘in any way they can’

“With the various challenges going on right now, I think it’s important for people to step up in any way they can,” said Kleiman, who taught at CUNY Bronx, the University of Massachusetts Amherst and Northwestern before spending three decades working for his family’s business, LA-CO Industries Inc. “For me, it’s also about being able to honor the people who have been generous to me—in money, but also in spirit and in kindness.”

He called Pezzullo “a renaissance woman” whose research certainly fits the bill of tackling current crises, bridging rhetorical studies with a range of disciplines.

“I expect Phaedra is one of those people who really make a difference to their students—who inspire you in ways that stay with you throughout your life,” Kleiman said. “That was true of so many people I learned from at ��ý��, and it gives me such pleasure to be able to honor someone who has those same gifts and can inspire the next generation of students.”

“I expect Phaedra is one of those people who really make a difference to their students—who inspire you in ways that stay with you throughout your life.”

David C. Kleiman (PhDComm’73)

A way she combines her gifts for teaching and collaboration is through her work with the Colorado Department of Public Health and Environment. Alongside her students, she creates story maps that illustrate how different communities are affected by environmental and climate injustice. She’s careful to work alongside, instead of lecturing down to, people in those communities, which improves public participation and engagement in demanding solutions.

It’s why she’s so committed to storytelling as being part of the solution for issues of climate and the environment.

“Storytelling is a survival skill without which imagining, let alone building, a more sustainable future is not possible,” Pezzullo said. “It’s important to recognize that people who study the science of sustainability do better, build more public trust and more effectively explain their ideas when they collaborate with people who have expertise in communication.”

Joe Arney covers research and general news for the college.

Phaedra Pezzullo’s talent for bringing people together to tackle problems like climate and environmental injustice is a key reason she’s been awarded a distinctive faculty scholarship.

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In its milestone year, CMDI welcomes more than a dozen new faculty

Joe Arney — Fri, 15 Aug 2025 20:40:01 +0000

In its milestone year, CMDI welcomes more than a dozen new faculty Joe Arney Fri, 08/15/2025 - 14:40

Joe Arney

Kevin Hoth is among the new faculty at CMDI this fall, though he's been lecturing at the university since 2011. ‘It feels like a perfect home for me; I’m very grateful to be with such a forward-thinking department,’ he says. Photo by Hannah Howell.

Kevin Hoth probably knows what it’s like for a longtime AAA pitcher to at last get the call to join the big leagues.

Hoth has been teaching at CU ��ý�� since 2011—originally as part of the ATLAS Institute—but this fall, he joins the critical media practices department at the College of Communication, Media, Design and Information as an assistant teaching professor.

“I’m so excited to have this department as my home on a more permanent basis,” said Hoth, previously a lecturer in critical media practices. “It feels like a perfect home for me; I’m very grateful to be with such a forward-thinking department.”

Hoth is one of 14 new professors to join CMDI this fall, bringing experience in artificial intelligence, surveillance studies, technology, journalism and more to the college. Coincidentally, the college is celebrating the 10th anniversary of its founding this year.

Lori Bergen, founding dean of CMDI, said while the quantity of new faculty is impressive, it’s the quality that helps this group stand out.

“I am so impressed with the credentials our new faculty are bringing to the college,” Bergen said. “Whether it’s their published work, varied research interests or boundless enthusiasm for teaching young people and preparing them for professional and person success after college, I know we have an impressive group that will create a lasting impact on the college and university.”

The full lineup of new faculty:

Ian J. Alexander, assistant professor, media studies. He researches the implementation and effects of media technologies in U.S. prisons.
Ashley Carter, assistant teaching professor, journalism. Carter earned her PhD in journalism from the college in the spring. As a a student, she took first place in a best paper competition at the Association for Education in Journalism and Mass Communication. She has written for The Denver Post, 303 Magazine and elsewhere.
Yiran Duan, teaching professor, information science. Duan studies how different types of users shape the flow of information using machine learning models, inferential statistics and data visualizations.
Cheri Felix, assistant teaching professor, advertising, public relations and design. Felix has been a lecturer at the college since 2022. She brings varied experiences to CMDI, including work as a writer, founder and program manager.
Kevin Hoth, assistant teaching professor, critical media practices. Hoth is a fine art photographer who has won multiple grants for his work.
Erica Hunzinger, assistant teaching professor, journalism. Hunzinger has been a lecturer at the college since 2022. Her journalism experience includes work for The Associated Press, The Denver Post and elsewhere.
Seonah Kim, assistant teaching professor, media studies. She studies global discourses around racial and gender identity in media that are shaped by structural inequality.
Julia Proft, teaching professor, information science. Proft brings experience in software engineering in educational technology to the college.
Mehak Sawhney, assistant professor, media studies. Her research interests include sound and media studies, surveillance studies, and environmental humanities.
Victoria Pihl Sørensen, assistant teaching professor, media studies. Sørensen conducts research at the intersection of media studies, cultural studies, gender studies, and the history and philosophy of science and technology.
Ilana Trumble, teaching professor, information science. Trumble also is returning to ��ý��, having earned her bachelor’s degree here in 2014. She is an expert in statistics and data science.
Hong Tien Vu, associate professor, journalism. Vu brings a decade of experience in journalism from living in Vietnam, including a stint with The Associated Press, to the classroom. He also is director of the college’s Center for Environmental Journalism.
Cody Walizer, assistant teaching professor, communication. Walizer has been teaching game studies, sports communication and related topics at CMDI since 2022. He specializes in debate and game studies.
Jonathan Zong, assistant professor, information science. Zong joins CMDI from the Computer Science and Artificial Intelligence Laboratory at MIT. He also studied at Princeton University and was a visiting student at the University of Oxford.

Alexander said he’s excited to join the college as part of such a large group of newcomers.

“It almost feels like a cohort, which is really exciting,” he said. “And at the same time, there are folks in the media studies department who have been around awhile, so it feels like I get to join a new group, and also a good, established one.”

Alexander brings particularly interesting research to CMDI. His work studies the introduction of media technologies—radio, telephone, tablets—into the U.S. carceral system. Through his research, he’s interviewed incarcerated people over phone and video call to better understand how technology advances have been used to isolate politically active people trying to create community within—or among—prisons, or to broadcast to communities in the event of an escape.

The newest tool he’s interested in are tablets, PDFs and video visit systems, which are starting to replace letters from home and legal communications.

“I look at these technologies as tools of struggle, oppression, isolation and manipulation—but also as tools of connection,” he said. “So, for instance, the way people inside are using them to make radio shows or podcasts, produce literature, or build solidarity and community and raise political consciousness.”

It’s work that is historical in its approach, but is worth studying in the current moment—both as the nation dramatically increases investment in policing and incarceration, and with generative artificial intelligence strongly reshaping how we communicate.

“It feels like I get to join a new group, and also a good, established one.”

Ian J. Alexander, assistant professor, media studies

“Like many people who study systems of structural oppression, I wish it were less relevant,” Alexander said. “But beyond just the massive expansion of ICE, and the so-called Alligator Alcatraz, there’s a larger question around what social and political function prisons serve—and what the state is saying about itself through its carceral system.”

Proft, who was a lecturer in the information science department in the spring, said she’s excited to bring her industry experience to the classroom, especially since she worked in educational technology.

“I enjoyed that work, but the impact I was able to have was pretty far removed from the actual students,” she said. “I really value having that smaller, but closer, connection to the students.”

Information science, she said, is a comfortable fit for its attention to creating human impact. That’s something she felt she missed while studying computer science.

“I think information science is one of those things where you ask people what it is, and you get tons of different answers,” she said. “But I think having that diversity—whether it’s technical, or business, or design applications—is really important, because that brings back the more human aspects of technology. So we get away from talking about computing as a topic divorced from anything else in the world.”

She said A.I. and large language models are a topic she’s excited to explore with her students, some of whom consider the advent of LLMs as an invitation to not have to learn to code anymore. Crucially, students must learn to use these tools—but they must be taught that they are tools, not shortcuts.

“When you learn to code, you’re developing a problem-oriented mindset, and learning how to approach and solve those problems,” Proft said. “If they’re leaning on LLMs to generate code, they don’t think about what the code is actually doing, which means when something goes wrong, they can’t address it.”

Hoth, as a fine art photographer, has given plenty of consideration to A.I.’s disruptive impact on the creation of images.

“Especially in media production, A.I. is a huge concern,” he said. “But I don’t put my head in the sand and say, ‘You can’t use any of this, we’re not going to talk about it.’ We have to talk about it. We have to integrate it into our teaching and our practices. But I have to show them where the line is.”

Hoth mentioned a conversation with a past student, who used A.I. to touch up nighttime photos in a project he did that took him around the state.

“I liked that he wasn’t afraid to share that with me,” Hoth said. “In this case, these were meant to be creative pictures—he’s not a documentary photographer—and so we discussed, you couldn’t put this in the Denver Post or New York Times, but with limited usage on a creative project, this kind of tool is OK.”

A major lesson in his classes, outside of technology, is that the right kind of failure is required for growth. He often shares failures from his own career to show how getting things wrong can be helpful.

“The learning environment should be a place of safety, in terms of play and also of learning how to fail well,” he said. “If you put forth your best effort, you’re trying something new and you fail, that’s commendable. That’s how you get to great things.”

Joe Arney covers research and general news for the college.

The college is welcoming experts in artificial intelligence, surveillance studies, technology, journalism and more this fall.

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Designer label

Amanda J. McManus — Tue, 01 Jul 2025 19:11:50 +0000

Designer label Amanda J. McManus Tue, 07/01/2025 - 13:11

All things CMDI

Visit our CMDI resources page for more on the college name and FAQs about the opportunities this change will afford to students and alumni.

By Joe Arney
Photos by Kimberly Coffin (CritMedia, StratComm'18)

Art by Cuauhtémoc Campos

A childhood trek to visit Aztec temples in Mexico was the first time Cuauhtémoc Campos thought about a future in architecture.

It wasn’t the last.

Long before the first-year landscape architecture student set foot on the ��ý�� campus, Campos helped his father design a porch and a patio area for their home. Now, in his environmental design courses, he’s refining those skills and interests to bring his visions to life, from reusing physical space on campus to a design of his name that borrowed from those Aztec ruins that inspired him.

“Most of the projects we do are hands-on and challenge us to experiment with our creativity,” Campos said. “But also, we do a lot of presentations to prepare us for when we need to talk about our work publicly.”

He said he hopes to further strengthen his communication skills once the environmental design program becomes fully integrated with the College of Media, Communication and Information. On July 1, Campos and his peers will formally become part of CMCI, at which point the college will rebrand itself as the College of Communication, Media, Design and Information, or CMDI.

“I was a little shocked when I first heard we were becoming part of CMCI,” he said. “But I feel like the resources we’ll have from being part of the college will add more to what we’re able to learn, while hopefully introducing CMCI students to what makes ENVD special.”

An important charge for Lori Bergen, founding dean of CMCI, was structuring the integration in a way that added value for ENVD students, alumni, faculty and staff without disrupting the cultures of either entity. As a department within the college, environmental design will be able to retain its identity while benefiting from enhanced and expanded services and networks.

“When we created CMCI, we had three concepts that guided our vision—think, innovate and create,” Bergen said. “Now, as we become CMDI, those principles are just as relevant to our identity. If anything, the intensely hands-on nature of an ENVD education reinforces our mission as a college that brings different, but related, disciplines together, to help us bring interdisciplinary insights to increasingly complex problems.”

Azza Kamal, right, works with a student on a project to refresh the ��ý�� Dushanbe Teahouse.

First forays at collaboration

Faculty and staff from environmental design became part of the college in July 2024, so some collaboration has already begun. Azza Kamal, an associate teaching professor of sustainable planning and urban design, is working with Pat Clark, an assistant professor of critical media practices, to give her students access to the college’s Immersive Media Lab later this semester.

“In my studio, we’re working on a virtual reality/augmented reality model for retrofitting neighborhoods in Denver to comply with green building codes and emission reduction bills, and we’ll use his facility so that students can work on their models, but also to explore and get hands-on with the technology,” Kamal said. “I was going to buy the equipment, but then found out Patrick had everything we needed in his lab. And he’s just amazing—he works around our schedule, students will have access to the lab 24/7, I couldn’t ask for more.”

That kind of collaboration is something Stacey Schulte hopes faculty will build on as the players begin to work together.

“No discipline exists in a vacuum,” said Schulte, director of environmental design. “I am excited to see how environmental design will collaborate with communication- and media-related disciplines, and vice versa.

“As our students continue to create impactful work, they learn how to tell the story of their projects—the problems their designs are intending to solve, and how those solutions create positive community impact—in ways that resonate with stakeholders.”

CMCI's emphasis on communication and presentation skills has Ella Seevers excited about environmental design becoming part of the college.

Kamal said she’s still learning about the players in CMCI who would be good fits for collaboration, “but there is a lot of potential where technology meets storytelling.

“Communication has always been a challenge for architecture and planning students—how to communicate in lay terms. Helping students to take technical, complex designs and be able to tell a story through them—so their clients and the public can appreciate their vision—will be incredibly helpful in their careers.”

That’s a need students recognized, as well. Sophomore Ella Seevers, a landscape architecture student, got some professional communication experience last year, when she worked on a project for the city of ��ý�� and was challenged to make better use of sites along its creek path. Earlier this month, she went on a site tour and presented her vision to city officials and landscape architects working on a pop-up installation for the summer. Hers is one of three student projects that will influence the final design.

“It was an amazing experience to share our ideas and see that they were actually valued by professional designers who have been doing this for decades,” said Seevers, a teaching assistant in ENVD’s design studios and a mentor to first-year students. “So, I’ve had this opportunity to work with the city already, which is very exciting, because that usually doesn’t happen with a first-year project.

“If you can’t present your design well, and tell other people what you’re thinking and how it’s going to be implemented, then you won’t be a very effective designer,” she said.

Helping students to take technical, complex designs and be able to tell a story through them—so their clients and the public can appreciate their vision—will be incredibly helpful in their careers."
Azza Kamal
Associate Teaching Professor
Environmental Design

‘The story we live in’

While both entities value hands-on learning, critical thinking and creativity, at first glance, it may not be immediately obvious how ENVD and its four majors—architecture, environmental product design, landscape architecture, and sustainable planning and urban design—fit into CMCI. However, “when you think about the stories we hear, tell and watch, environmental design becomes another dimension of the story that we live in,” said Stephanie Marchesi, president of WE Communications, a global integrated communications firm.

“Storytelling is verbal, written and visual—but through their environmental designs, these talented individuals are bringing stories to life in 3D,” said Marchesi (Jour’85), who sits on CMCI’s advisory board. “This will be something very defining for the college, because it’s taking storytelling to new dimensions—literally.”

That’s something faculty in the college are excited to explore in depth.

“My initial reaction to the news was one of intense joy and excitement over what’s possible,” said Bryan Semaan, chair of CMCI’s information science department. “Design intersects so many different spaces. Environmental design researchers are looking at many of the same problems and topics as people across CMCI and within our disciplinary communities, but they’re operating on a scale of how humans will experience and be shaped by the natural and built environments in ways that are important to a sustainable future.”

That could be anything from a database that governs an algorithmic system to the impact of a data center on the environment and people who live nearby.

Elena Sabinson, an assistant professor of environmental design, said an important part of her program’s culture is recognizing and creating things that match the needs of their users. It’s something she works on very closely as director of the Neuro D Lab, which studies how design can trigger innovations that support wellbeing and accessibility to those who are neurodivergent.

“I would say my colleagues in ENVD are interested in bridging those mismatches between the environment and the needs of a user,” she said. “And I think CMCI is already doing a lot of that in its own way, whether it’s documentary or information science or any of those spaces.”

‘Who needs to learn about argument more?’

Alumni like Christopher Bell (PhDMediaSt’09) are watching to see how the college prepares students for the kinds of challenges he sees at work. Bell, a consultant and president of CreativityPartners LLC, said he’s excited to see student and alumni collaborations going forward, such as social media managers who can raise money and awareness for life-changing products coming out of environmental design.

“People who believe they are ‘just’ technically focused are the people who need the most instruction in communication,” said Bell, also a member of CMCI’s advisory board and an instructor who teaches courses in screenwriting and cultural studies. “Those are the people who need us the most, because they are making arguments and sending messages.

“Architecture and city planning are arguments. They’re arguments about what matters, who matters and doesn’t, how we see ourselves in relation to other people, and what is important to spend resources on. So, who needs to learn about argument more than environmental designers?”

When you think about the stories we hear, tell and watch, environmental design becomes another dimension of the story that we live in.”
Stephanie Marchesi (Jour’85)
CMCI Advisory Board member

Meet the College of Communication, Media, Design and Information.

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Spring 2025

CMCI and ENVD share a tradition of hands-on learning, a thirst for innovation and a passion for solving problems in ways that move the world. Those shared values will guide them as they join together and CMCI renames itself the College of Communication, Media, Design and Information. Art by Ella Seevers.

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CMCI and ENVD share a tradition of hands-on learning, a thirst for innovation and a passion for solving problems. Those values will guide them as CMCI renames itself the College of Communication, Media, Design and Information. Art by Ella Seevers.

Congratulations, Class of 2025!

Amanda J. McManus — Wed, 28 May 2025 19:44:19 +0000

Congratulations, Class of 2025! Amanda J. McManus Wed, 05/28/2025 - 13:44

More than 900 graduates were celebrated at CMCI’s annual recognition ceremony this past May. Our newest class of Forever Buffs arrived amid pandemic and leave as outstanding scholars and accomplished leaders.

View the 2025 Graduation Celebration

William W. White honorees
Meet the most outstanding students from each CMCI major, as chosen by our faculty.

‘A rock star who is going places’
The top student in her class, Sarah Carleo, discovered her passion for public relations as a student. She’s now off to Next PR, where she previously was a standout summer intern.

Getting the message
Andrew Johnson made the most of a New York City internship with BBH USA. The top strategic communication major is thrilled to return in an account management role as he gets another bite at the Big Apple.

Bylines are fine, but…
Most college students would be thrilled at getting an Associated Press byline. So is Celia Frazier, but she measures her work in impact, not clips. She graduated as CMCI’s top journalism major.

Meet the environmental design Class of 2025
Get to know some oustanding seniors and watch the recognition ceremony.

Celebrating ENVD

Connections through design
For Serena Langdon-Dimidjian, a graduate with a dual degree in architecture and ethnic studies, design is about building community, asking deeper questions and making space for connection.

"Everything you’ve done up to this moment has prepared you to succeed in a world where you can feel the ground moving under your feet.

Lori Bergen, PhD
Founding Dean
CMCI

Our newest class of Forever Buffs arrived amid pandemic and leave as outstanding scholars and accomplished leaders.

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Summer 2025

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Communication that moves

Amanda J. McManus — Wed, 26 Feb 2025 18:25:25 +0000

Communication that moves Amanda J. McManus Wed, 02/26/2025 - 11:25

By Joe Arney
Photos by Jack Moody (StratComm’24)

The study of communication, as José G. Izaguirre III knows, is more than just interpreting the words. It’s also about how those words are heard—in a speech or an article, or in a post or on a poster.

It’s why he leans so heavily on showing communication in its original form, whether in the classes he teaches at CMCI or in a new book examining the formation of the Chicano movement.

“As I was analyzing these different texts, I was just struck by the intentionality to make things look a certain way, which really enriched the communication I was studying,” said Izaguirre, assistant professor of communication at the college, who goes by Joe. “It was clear that those aesthetics were part of the story, too—the degree to which photography, illustrations and designs played a significant role in movements.”

"It is possible for different people to come together around similar concerns, articulate different visions, but still try to work together to accomplish something good.
José G. Izaguirre III
Assistant Professor
Communication

Izaguirre’s book, Becoming La Raza: Negotiating Race in the Chicano Movement(s), traces the beginning of the movement—which originated among striking farm workers in California—through its early years. His research examines the communications that organized Latin American voices into a global political power.

“The book highlights how race is always implicated in different political circumstances—while demonstrating that however much we try to get away from the language of race, it’s always there,” he said. “I tried to show the inescapability of race as a part of communication through a story about how Mexican Americans navigated racial dynamics and promoted a racial identity.”

A good example: “Chicano,” once a pejorative label, was itself reclaimed by the organization as it rejected assimilation and sought to assert its Indigenous roots. But while the movement united under one banner, it was never a singular voice. Izaguirre’s book shows how activists created a political power against the backdrop of the Cold War.

“I think the book highlights the importance of everyday activist movements, or even politically interested individuals who have concerns that are part of a broader community or communal concern,” he said. “It takes seriously these moments of everyday communication and spotlights them in ways that are maybe not typical.”

“Everyday communication” in the 1960s was, of course, very different than today, when demonstrations largely exist and are communicated in ephemeral digital spaces—what’s trending today is tomorrow’s relic. Much of Izaguirre’s source material was donated documents—leaflets, photos, newspapers and so on—that made this project possible.

It’s how he was able to present so many period pieces in his book, alongside close readings of iconic artifacts like the National Farm Worker Association’s El Plan de Delano, or the poem “I Am Joaquin.” And there is value, he said, in seeing how those pieces are designed, even if it’s text-based, like the Delano document, co-written by Cesar Chavez, to guide their march through California. It contains a list of demands and concerns that, Izaguirre said, are valuable to see in their original context—and language.

Another level of engagement

“When I show these materials in classes, I want to show that communication as close as possible to what it would have been like to encounter it at the time,” whether that’s a picture, a pamphlet or a speech, he said. “I wouldn’t call it an epiphany, but there’s some level of understanding that happens when I show them the whole document. Because it’s not just text pulled out of somewhere—it’s communication they can see for themselves.”

That also means students encounter the original communication in its original language. For much of La Raza, of course, that’s Spanish.

“I do show them an English version, so they understand the meaning of the words, but seeing it in its native language, they get almost the emotion of the words,” Izaguirre said. “Seeing the original document puts it in that cultural or historical context.”

It’s something he hopes readers and students consider in the context of modern political movements, from the iconography at campaign rallies to how people find one another and organize digitally. But he also hopes those readers will be challenged to rethink the narrative that movements—or communities—can be viewed singularly. The Chicano movement is a prime example.

“It can be harmful, to see communities being labeled in such a way that they’re cast as the opposition,” he said. “It’s easy to consolidate groups and label them as friend or foe. What’s harder is politics—which is really about building partnerships and opportunities for equal engagement.

“What I hope the book shows is that it is possible for different people to come together around similar concerns, articulate different visions, but still try to work together to accomplish something good.”

A new book looks at the rise of the Chicano movement through the lens of communication, from speeches to newspapers.

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Poll-arized

Anonymous — Fri, 16 Aug 2024 21:08:32 +0000

Poll-arized Anonymous (not verified) Fri, 08/16/2024 - 15:08

By Joe Arney

Deepfakes. Distrust. Data manipulation. Is it any wonder American democracy feels like it has reached such a dangerous tipping point?

As our public squares have emptied of reasoned discussion, and our social media feeds have filled with vitriol, viciousness and villainy, we’ve found ourselves increasingly isolated and unable to escape our echo chambers. And while it’s easy to blame social media, adtech platforms or the news, it’s the way these forces overlap and feed off each other that’s put us in this mess.

It’s an important problem to confront as we close in on a consequential election, but the issue is bigger than just what happens this November, or whether you identify with one party or another. Fortunately, the College of Media, Communication and Information was designed for just these kinds of challenges, where a multidisciplinary approach is needed to frame, address and solve increasingly complex problems.

“Democracy is not just about what happens in this election,” said Nathan Schneider, an assistant professor of media studies and an expert in the design and governance of the internet. “It’s a much longer story, and through all the threats we’ve seen, I’ve taken hope from focusing my attention on advancing democracy, rather than just defending it.”

We spoke to Schneider and other CMCI experts in journalism, information science, media studies, advertising and communication to understand the scope of the challenges. And we asked one big question of each in order to help us make sense of this moment in history, understand how we got here and—maybe—find some faith in the future.

***

Newsrooms have been decimated. The younger generation doesn’t closely follow the news. Attention spans have withered in the TikTok age. Can we count on journalism to serve its Fourth Estate function and deliver fair, accurate coverage of the election?

Mike McDevitt, a former editorial writer and reporter, isn’t convinced the press has learned its lessons from the 2016 cycle, when outlets chased ratings and the appearance of impartiality over a commitment to craft that might have painted more accurate portraits of both candidates. High-quality reporting, he said, may mean less focus on finding scoops and more time sharing resources to chase impactful stories.

How can journalism be better?

“A lot of journalists might disagree with me, but I think news media should be less competitive among each other and find ways to collaborate, especially with the industry gutted. And the news can’t lose sight of what’s important by chasing clickable stories. Covering chaos and conflict is tempting, but journalism’s interests in this respect do not always align with the security of democracy. While threats to democracy are real, amplifying chaos is not how news media should operate during an era of democratic backsliding.”

***

After the 2016 election, Brian C. Keegan was searching for ways to use his interests in the computer and social sciences in service of democracy. That’s driven his expertise in public-interest data science—how to make closed data more accessible to voters, journalists, activists and researchers. He looks at how campaigns can more effectively engage voters, understand important issues and form policies that address community needs.

The U.S. news media has blood on its hands from 2016. It will go down as one of the worst moments in the history of American journalism.”

Mike McDevitt
Professor, journalism

You’ve called the 2012 election an “end of history” moment. Can you explain that in the context of what’s happening in 2024?

“In 2012, we were coming out of the Arab Spring, and everyone was optimistic about social media. The idea that it could be a tool for bots and state information operations to influence elections would have seemed like science fiction. Twelve years later, we’ve finally learned these platforms are not neutral, have real risk and can be manipulated. And now, two years into the large language model moment, people are saying these are just neutral tools that can only be a force for good. That argument is already falling apart.

I think 2024 will be the first, and last,
A.I. election.”

Brian C. Keegan
Assistant professor, information science

“You could actually roll the clock back even further, to the 1960s and ’70s, when people were thinking about Silent Spring and Unsafe at Any Speed, and recognizing there are all these environmental, regulatory, economic and social things all connected through this lens of the environment. Like any computing system, when it comes to data, if you have garbage in, you get garbage out. The bias and misinformation we put into these A.I. systems are polluting our information ecosystem in ways that journalists, activists, researchers and others aren’t equipped to handle.”

***

One of Angie Chuang’s last news jobs was covering race and ethnicity for The Oregonian. In the early 2000s, it wasn’t always easy to find answers to questions about race in a mostly white newsroom. Conferences like those put on by the Asian American Journalists Association “were times of revitalization for me,” she said.

When this year’s conference of the National Association of Black Journalists was disrupted by racist attacks against Kamala Harris, Chuang’s first thoughts were for the attendees who lost the opportunity to learn from one another and find the support she did as a cub reporter.

“What’s lost in this discussion is the entire event shifted to this focus on Donald Trump and the internal conflict in the organization, and I’m certain that as a result, journalists and students who went lost out on some of that solidarity,” she said. And it fits a larger pattern of outspoken newsmakers inserting themselves into the news to claim the spotlight.

How can journalism avoid being hijacked by the people it covers?

“It comes down to context. We need to train reporters to take a breath and not just focus on being the first out there. And I know that’s really hard, because the rewards for being first and getting those clicks ahead of the crowd are well established.”

“I can’t blame the reporters who feel these moments are worth covering, because I feel as conflicted as they do.
Angie Chuang
Associate professor, journalism

***

Agenda setting—the concept that we take our cues of what’s important from the news—is as old an idea as mass media itself, but Chris Vargo is drawing interesting conclusions from studying the practice in the digital age. Worth watching, he and other CMCI researchers said, are countermedia entities, which undermine the depictions of reality found in the mainstream press through hyper-partisan content and the use of mis- and disinformation.

How did we get into these silos, and how do we get out?

“The absence of traditional gatekeepers has helped people create identities around the issues they choose to believe in. Real-world cues do tell us a little about what we find important—a lot of people had to get COVID to know it was bad—but we now choose media in order to form a community. The ability to self-select what you want to listen to and believe in is a terrifying story, because selecting media based on what makes us feel most comfortable, that tells us what we want to hear, flies in the face of actual news reporting and journalistic integrity.”

“I do worry about our institutions. I don’t like that a majority of Americans don’t trust CNN.

Chris Vargo
Associate professor, advertising,
public relations and media design

***

Her research into deepfakes has validated what Sandra Ristovska has known for a long time: For as long as we’ve had visual technologies, we’ve had the ability to manipulate them.

Seeing pornographic images of Taylor Swift on social media or getting robocalls from Joe Biden telling voters to stay home—content created by generative artificial intelligence—is a reminder that the scale of the problem is unprecedented. But Ristovska’s work has found examples of fake photos from the dawn of the 20th century supposedly showing, for example, damage from catastrophic tornadoes that never happened.

Ristovska grew up amid the Yugoslav Wars; her interest in becoming a documentary filmmaker was in part shaped by seeing how photos and videos from the brutal fighting and genocide were manipulated for political and legal means. It taught her to be a skeptic when it comes to what she sees shared online.

“So, you see the Taylor Swift video—it seems out of character for her public persona. Or the president—why would he say something like that?” she said. “Instead of just hitting the share button, we should train ourselves to go online and fact check it—to be more engaged.”

Even when we believe something is fake, if it aligns with our worldview, we are likely to accept it as reality. Knowing that, how do we combat deepfakes?

“We need to go old school. We’ve lost sight of the collective good, and you solve that by building opportunities to come together as communities and have discussions. We’re gentler and more tolerant of each other when we’re face-to-face. This has always been true, but it’s becoming even more true today, because we have more incentives to be isolated than ever.”

***

Early scholarly works waxed poetic on the internet’s potential, through its ability to connect people and share information, to defeat autocracy. But, Nathan Schneider has argued, the internet is actually organized as a series of little autocracies—where users are subject to the whims of moderators and whoever owns the servers—effectively meaning you must work against the defaults to be truly democratic. He suggests living with these systems is contributing to the global rise of authoritarianism. In a new book, Governable Spaces, Schneider calls for redesigning social media with everyday democracy in mind.

If the internet enables autocracy, what can we do to fix it?

“We could design our networks for collective ownership, rather than the assumption that every service is a top-down fiefdom. And we could think about democracy as a tool for solving problems, like conflict among users. Polarizing outcomes, like so-called cancel culture, emerge because people don’t have better options for addressing harm. A democratic society needs public squares designed for democratic processes and practices.”

***

It may be derided as dull, but the public meeting is a bedrock of American democracy. It has also changed drastically as fringe groups have seized these spaces to give misinformation a megaphone, ban books and take up other undemocratic causes. Leah Sprain researches how specific communication practices facilitate and inhibit democratic action. She works as a facilitator with several groups, including the League of Women Voters and Restore the Balance, to ensure events like candidate forums embrace difficult issues while remaining nonpartisan.

What’s a story we’re not telling about voters ahead of the election?

“We should be looking more at college towns, because town-gown divides are real and long-standing. There’s a politics of resentment even in a place like ��ý��, where you have people who say, ‘We know so much about these issues, we shouldn’t let students vote on them’—to the point where providing pizza to encourage voter turnout becomes this major controversy. Giving young people access to be involved, making them feel empowered to make a difference and be heard—these are good things.”

***

Toby Hopp studies the news media and digital content providers with an eye to how our interactions with media shape conversations in the public sphere. Much of that is changing as trust and engagement with mainstream news sources declines. He’s studied whether showing critical-thinking prompts alongside shared posts—requiring users to consider the messages as well as the structure of the platform itself—may be better than relying on top-down content moderation from tech companies.

Ultimately, the existing business model of the big social media companies—packaging users to be sold to advertisers—may be the most limiting feature when it comes to reform. Hopp said he doubts a business the size of Meta can pivot from its model.

How does social media rehabilitate itself to become more trusted? Can it?

“Social media platforms are driven by monopolistic impulses, and there’s not a lot of effort put into changing established strategies when you’re the only business in town. The development of new platforms might offer a wider breadth of platform choice—which might limit the spread of misinformation on a Facebook or Twitter due to the diminished reach of any single platform.”

***

Images have always required us to be more engaged. Now, with the speed of disinformation, we need to do a little more work.”

Sandra Ristovska
Assistant professor, media studies

CU News Corps was created to simulate a real-world newsroom that allows journalism students to do the kind of long-form, investigative pieces that are in such short supply at a time of social media hot takes and pundits trading talking points.

“I thought we should design the course you’d most want to take if you were a journalism major,” said Chuck Plunkett, director of the capstone course and an experienced reporter. Having a mandate to do investigative journalism “means we can challenge our students to dig in and do meaningful work, to expose them to other kinds of people or ideas that aren’t on their radar.”

Over the course of a semester, the students work under the guidance of reporters and editors at partner media companies to produce long-form multimedia stories that are shared on the News Corps website and, often, are picked up by those same publications, giving the students invaluable clips for their job searches while supporting resource-strapped newsrooms.

With the news business facing such a challenging future, both economically and politically, why should students study journalism?

“Even before the great contraction of news, the figure I had in my mind was five years after students graduate, maybe 25 percent of them were still in professional newsrooms. But journalism is a tremendous major because you learn to think critically, research deeply and efficiently, interact with other people, process enormous amounts of information, and have excellent communication skills. Every profession needs people with those skills.”

Where do we go from here? CMCI experts share their perspectives on journalism, advertising, data science, communication and more in an era of democratic backsliding.

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Paying it forward

Anonymous — Thu, 15 Aug 2024 22:59:39 +0000

Paying it forward Anonymous (not verified) Thu, 08/15/2024 - 16:59

By Lauren Irwin (Jour'22)

How to support CMCI

Alumni, parents and friends who want to support CMCI while creating a personal legacy often choose to establish an endowment with the University of Colorado Foundation. Endowments are held in perpetuity and invested to provide annual support for donor-specified purposes through market gains.

Donors can create endowments to support scholarships, programs, departments, faculty chairs and professorships, or nearly anything else at CMCI. The minimum gift to establish an endowment is $25,000, which can be given over up to five years. To learn more or establish an endowment, contact Mary Beth Searles, CMCI assistant dean for advancement.

An internship in Washington, D.C., changed Heidi Wagner’s life. Now, she’s working alongside her alma mater to create similar opportunities for CMCI students.

“D.C. is one of those places that opens doors,” said Wagner (Jour’86). “You really can’t go wrong getting some experience here in Washington.”

As a college senior, Wagner was accepted to the Sears Congressional Internship, where she did media-related and administrative work for Rep. Stan Parris, of Virginia.

Wagner had set out to be a broadcast reporter but was surprised by how much she liked learning about politics, policy and process—an interest “that just grew exponentially from being a part of it all.”

“That internship changed the trajectory of my life.”

She stayed in D.C. after graduation and is currently senior vice president and global head of government affairs at ElevateBio, a biotechnology company. Additionally, she serves as a university trustee and member of the University of Colorado Foundation Board, and was a founding member of CMCI’s advisory board.

It wasn’t a path the ��ý�� native envisioned when she enrolled at the university, but her time at CU “gave me a sense of the possibility that was out there for me,” she said.

Looking back to the beginning of her career, she wanted to be a part of providing students with life-changing opportunities similar to what she experienced. CMCI in D.C., which allows students to earn both course and internship credit as they explore Washington, matches that vision.

“That internship changed the trajectory of my life.”
Heidi Wagner

The CMCI in D.C. staff leverages an extensive network of professional contacts to curate internships in the fall, spring or summer semesters that suit the interests and career goals of each student. Over the summer, 20 students studying advertising, information science, journalism and media studies lived in Washington, where they interned at The Hill, The Brand Guild, Williams Whittle, The Parks Channel and elsewhere.

As both the biggest benefactor and “number one cheerleader” of the program—she regularly meets with participants while they’re in D.C.—Wagner hopes students appreciate the possibilities Washington has to offer.

“It’s really important to expose yourself to other things, because you just don’t know what’s out there,” she said.

Wagner said she and Dean Lori Bergen set a goal that a D.C.-based experience shouldn’t be limited to those who can afford to make the move. Over the last five years, she has created an endowment that allows CMCI to offer this experience to more students.

“If the barriers aren’t eliminated, then there’s all kinds of reasons not to do it,” Wagner said. “So, if we can eliminate those barriers, let’s do it.”

After graduating with her journalism degree, Wagner worked in political communications before going to law school, holding multiple high-profile roles in government affairs and policy. She said the skills she learned in her journalism courses have been invaluable to her success working in policy and lobbying.

“I rely heavily on what I learned in journalism classes, just in terms of writing well, writing quickly, writing succinctly, being able to communicate directly and effectively, and being able to advocate internally very effectively,” she said.

Whether it’s journalism, public relations or corporate communications, Wagner hopes the internship program creates a strong pipeline of CMCI students in Washington. She knows the opportunities are waiting to be grasped.

“I certainly found a life here that I love and a career and all that comes with it, but I think Washington is a uniquely wonderful place for young professionals,” she said.

An internship in D.C. changed Heidi Wagner’s life. Now, she wants to recreate that experience for current students.

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From peaks to front lines

Anonymous — Tue, 13 Aug 2024 19:41:38 +0000

From peaks to front lines Anonymous (not verified) Tue, 08/13/2024 - 13:41

Jordan Campbell takes a selfie after spending more than a week in what he called a ‘not-so-safe safehouse’ that was under attack from Russian forces. Photo by Jordan Campbell.

By Hannah Stewart (Comm’19)

The clouds and clear skies fought for dominance over Kyiv, reflecting the tension on the ground, as Jordan Campbell stepped off the worst bus ride of his life—a 24-hour slog from Kraków, Poland, to Ukraine’s capital.

It was the second of what would be many trips to Ukraine, and the beginning of an ambitious documentary film. Standing at the bus station, weighted under camera gear and body armor, he considered himself a storyteller.

Now, after three further visits to the front lines, he sees himself as a war journalist.

“It’s breaking my heart to see one of my favorite countries being hit like this,” Campbell (Comm’91) said. “I was embedded with NGOs, riding around in an ambulance, because I’m fascinated by humanitarians doing amazing work around the world. And the best thing I can do to serve humanity is go out, tell the stories and come back safe.”

Campbell traversed literal and figurative mountains to become the filmmaker he is today. Climbs in Tibet and Nepal gave him an up-close look at injustice and inequality, awakening a passion for humanitarianism. His work in media—in a senior communications role with Marmot and as a freelancer for National Geographic—gave him the tools to tell life-changing stories from across the globe.

“I was a corporate guy with a love of moonlight journalism,” he said.

In 2011, on assignment for National Geographic in war-ravaged South Sudan, Campbell documented the work of cataract surgeon Dr. Geoff Tabin. Upon returning to the States, he was approached by filmmaker Michael Herbener—who is also working on the Ukraine project—with the idea of using Campbell’s footage to make a documentary.

That film, Duk County: Peace Is in Sight in the New South Sudan, went on to win awards and was screened twice at the United Nations.

“The awards feel good, but I want to connect with the audience and have them feel the same way I felt when I was in the field,” Campbell said. “To take it to the United Nations twice, that’s the stuff that makes me feel like we’re having an impact.”

The desire for humanitarian impact—combined with his experience as a communications professional and visual storyteller—prompted Campbell to found Ramro Global in 2019.

Its seven-person advisory council contributes insights into global challenges. Christina Tobias-Nahi, who specializes in the Middle East and North Africa for Ramro, met Campbell in 2018 when she spoke at CU ��ý��’s Conference on World Affairs.

She is based in Washington, D.C., and as director of public affairs, research and advocacy for Islamic Relief USA, she often travels to places with mass displacement.

“I do a lot of advocacy,” she said. “Everything is so political and contentious, and I admire Jordan’s willingness to use his voice to change political will in Washington.”

Somewhat unconventionally, Campbell also appoints advisors for issues that demand global attention, which is how Michael Carter—an expert in the geopolitics of power and energy—came to the board.

Carter’s experience comes from more than 25 years in the energy industry, where he works on issues of transparency and inequity, like lack of access to sustainable power and movement toward a lower-carbon future.

“It takes a very thoughtful and calm, compassionate mind to look at inequity and do something about it,” he said. “That’s the essence of what Jordan is trying to accomplish.”

As a business strategist, Carter has helped Campbell develop Ramro Global from concept to company. As an energy expert, he provides unique insight into the humanitarian projects Campbell chronicles.

Jordan puts his life in danger to bring these stories to people. I really admire his bravery.”

Christina Tobias-Nahi

“Some of the first targets the Russian army hit were the Ukrainian power plants,” Carter said. “Power allows us to communicate—especially through mobile phones—and I want to help Jordan communicate his message. He has dedicated himself to humanitarianism.”

Campbell is also dedicated to truth and authenticity, which is why he kept returning to Ukraine despite the rising risk. He hasn’t shied from documenting the desperation and destruction he saw working alongside Project Konstantin, a front-line medical evacuation team. Last year, when the U.S. Senate hosted a Parliamentary Intelligence-Security Forum event, Campbell presented a six-minute cut of the film, Ukraine Under Fire. He also met with Ukrainian Embassy staff.

“There were representatives from 60 countries in attendance who appreciated my testimony because I was an expert witness on what was going on there,” he said. “I’m not a cataract surgeon, I’m not a pediatric cardiac surgeon. But I’m a journalist and I’m a visual storyteller, and I can make some noise and do good things in the world.”

Campbell’s goal with Ukraine Under Fire is to capture a slice of the war while focusing on themes like democracy, sovereignty and—perhaps most important—resilience. He posted a teaser on the company’s website for public viewing and hopes screenings of the completed film in Washington and throughout Europe will help to further those themes.

“This can turn into such a bigger conflict,” he said. “The scale and scope drew me to the subject. And if you’re a journalist, you want to capture something, add value—and then get out of the way.”

Not only has he been shaken by the devastation while on the front lines, but the impacts have followed him home: Nearly every place he visited has since been bombed, and he’s lost friends to the conflict, as well. It has, as he put it, “gotten under my rib cage.”

That’s only strengthened Campbell’s commitment to honoring their courage and sacrifice through his film.

“Some people become the bystanders, and some people become the heroes,” Tobias-Nahi said. “Jordan puts his life in danger to bring these stories to people, and it gives a face to that humanitarian need. I really admire his bravery.”

To get to the front lines of Ukraine, Jordan Campbell (Comm'91) took the road less traveled—from corporate communications to the mountains of Nepal—before stepping foot on the streets of Kyiv.

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