Cinema Studies and Moving Image Arts
The CU ¶¶Òõ´«Ã½ÔÚÏß Cinema Studies and Moving Image Arts assistant professor is finding success as an independent filmmaker.
The films of 1975, currently featured in CU ¶¶Òõ´«Ã½ÔÚÏß’s International Film Series, reflected the times and the culture in ways that hadn’t been seen before, says film scholar Ernesto Acevedo-Muñoz.
At the D&D table, says CU ¶¶Òõ´«Ã½ÔÚÏß humanities scholar and gaming podcast host Andrew Gilbert, everyone has a voice.
Aspiring filmmaker and CU ¶¶Òõ´«Ã½ÔÚÏß senior Francesca Hiatt’s short film, Cherry Yogurt, relies on subtlety to touch on grief and support, viewed through children’s eyes.
Fifty years after Jaws made swimmers flee the ocean, CU ¶¶Òõ´«Ã½ÔÚÏß cinema scholar Ernesto Acevedo-Muñoz explains how the 1975 summer hit endures as a classic.
What happens when a freshly minted film studies graduate heads out into the world with no particular plan? How A&S alum Patrick Hoffman went from taxi driver to private investigator to successful author.
In honor of what would have been Paul Newman’s 100th birthday, CU ¶¶Òõ´«Ã½ÔÚÏß film historian Clark Farmer considers whether there still are movie stars.
CU ¶¶Òõ´«Ã½ÔÚÏß’s chair of Cinema Studies and Moving Image Arts shares insights on Stanley Kubrick’s masterpiece ‘doomsday sex comedy’ and why the film is more relevant than ever.
In honor of what would have been Al Capone’s 125th birthday, CU ¶¶Òõ´«Ã½ÔÚÏß cinema researcher Tiel Lundy explains the enduring popularity of gangsters in film and the American imagination.
CU cinema alum Nick Houy discusses his work editing the megahit Barbie and the joys of storytelling.